Somewhere Festival 2026

Flytjendur

• Somewhere Festival
• 

  Night Tales
• 

  Two Friends

  📱 Text us: +1-323-310-1431

  Music + Tour Dates + more: https://twofriendsmusic.com/twofriends

• 

  DJ Diesel

  The World's Biggest DJ

• 

  Bailey Zimmerman

  @CoreyKent
  
  Singer/Songwriter.
  Husband. Father. Believer.
  Big Fan of Kings of Leon, Oklahoma State Football & Indian Motorcycles.
• 

  Bob Moses

  "Howie and Vallance are worthy of attention for how they fuse house with genuine singing and songwriting talent, as well as a live aesthetic that comes through clear and cohesively" - Ibiza Voice

  "Hankering for some moody, post-club music that doesn't totally expunge the fire within? Bob Moses might just be your men." - Resident Advisor

  "Vancouver deep house duo Bob Moses are giving us all a glimpse into the future" - DJ Mag Canada

  Canadian grown (legally), New York formed duo Jimmy Vallance and Tom Howie are one of the latest acts to release on the boutique label Scissor and Thread. Although only cordially discussing music and life in the same high school art class in Vancouver BC, it wasn't until several years later that they bumped into each other at a Lowe's parking lot and teamed up to make the act now known as Bob Moses.

  Music that will make you want to build a highway through a low income neighbourhood.

  www.twitter.com/bobmosesmusic

  www.soundcloud.com/the-bob-moses

  www.youtube.com/bobmosesmusic

• 

  Evan Honer

  A cross-country move to Nashville. An international touring schedule. A record label with 25 artists and more than 100 releases, all operating out of his living room. A recording studio built into his four-car garage. Evan Honer spent 2024 in a blur of momentum, expanding his life in all directions, playing nearly 100 shows in support of his second album, Fighting For, while writing new songs for its follow-up.

  Only two years earlier, his cover of Tyler Childers' "Jersey Giant" had become a viral juggernaut, earning more than 200 million streams and launching his music career. He was busy then, too, balancing his college classes with nighttime gigs as a solo act and daily practices with the school's Division 1 swimming team. Things only intensified as school came to a close. Honer released the debut album West On I-10 on graduation day and quickly remade himself into a road warrior, balancing the challenges of early adulthood with an unbending commitment to music.

  Then, one day, he learned to look around him and take stock of the present. Everything I Wanted finds Honer planting new roots in Nashville, his adopted hometown after a multi-year stint in Southern California. Recorded over 18 days in a garage studio that he built himself, it's a homemade record with big-studio sparkle, its 13 songs emphasizing the indie and alternative-pop influences that have always lingered on the outskirts of his sound. Here, they're moved to the forefront, pushing Honer beyond his roots as an acoustic Americana act and into something more eclectic and electrifying. There are string arrangements courtesy of a talented neighbor, Kate Stephenson. There are horn arrangements, pedal steel swells, and contributions from his roommates, too. At the center of that sound is Evan Honer himself: an acclaimed songwriter, storyteller, and bleeding-heart vocalist who, after years on the move, has learned to slow down a bit and appreciate the moment.

  "My life completely changed this past year," he says. "I'm learning to be happy with where I'm at. I'm grateful that I get to stand onstage and sing songs I wrote in my bedroom, and people know the words and sing them back to me. How can you be upset about that?"

  It's true; there's a lot to be grateful for. 500 million streams, for starters. An RIAA gold certification for his "Jersey Giant" cover. Sold-out shows alongside headliners like Wyatt Flores. The ongoing success of his own label, Cloverdale Records. With Everything I Wanted, though, Honer turns his gaze inward, writing autobiographical songs about romance, resilience, roots, and his relationship with his audience.

  "When the going gets tough, I'll stick through the season," he promises during "Maybe For Once." On the surface, it's a love song to a woman he met on the road, her memory lingering in the rear-review mirror every time his van pulls away. For someone who's used to living life at 80 miles per hour, though, the song is something more: a self-made promise to focus not only upon the destination, but on the journey itself. "These songs are about me not getting in my own way," he clarifies. "I've stopped looking for reasons not to commit. I'm pushing myself to just let things happen." The rest of the record is similarly personal. On the cinematic piano ballad "It's a Home," Honer whisks himself back to childhood to unpack some traumatic family baggage. On "Place I Hate," he sings about a career filled with astral highs and bottomed-out lows. With the short-and-sweet "Waiting Room," he delivers a genuine love song in less than two minutes, showcasing just how concise his craft has become over the past three years. And with "Curtain," he sings directly to the fans who've supported him over the years, singing, "You guys bother showing up to hear me scream about my feelings… I don't know if you can tell, but I'm the one who really needs it."

  Honer's previous album, Fighting For, was recorded during his first national tour, slowly pieced together in the studio spaces, living rooms, and AirBNBs he encountered while driving from show to show. Everything I Wanted, on the other hand, was recorded at home with producers Garrett Hall, Shane Travis and a small handful of guests. From the start, Honer embraced those differences. "The last thing I ever want to do is make something I've already made," he says, naming artists like Andy Shauf, Medium Build, and Pinegrove as the album's touchstones. He sought outside opinions, too, by embracing Nashville's co-writing culture. "Writing with other people was exciting," he adds, "because some of these songs wound up going to places I wouldn't normally go."

  Longtime fans will notice those changes and more. There's the Beatles-inspired bridge of "Finally Commit." The noisy, full-band freakout that brings the final track, "Wonder," to a close. The drums kickstart "Lose a Friend," one of Honer's only tracks to begin with percussion. Now three albums into his career, Evan Honer has more than a signature sound — he has the guts to expand and evolve that sound, as well. There will be more shows to play… more horizons to chase down in a 15-passenger van… but as long as Everything I Wanted is playing, you can find Evan Honer at home, coaxing new sounds out of the garage, thankful for the moment even as it passes by.

• 2ŁØT
• 

  Flake
• Indigo Sol
• Nexus

  is

• Rudy Love & The Encore
• 

  Ian Munsick

  A native son of Wyoming, Ian Munsick has accumulated over 900 million global streams across two albums – Coyote Cry and White Buffalo – and a host of accolades, including 19 awards and 14 festival selections for his documentary, White Buffalo: Voices of the West. Having painted a stampeding, spirited portrait of the American West with his sophomore album White Buffalo in 2023, Munsick is expanding on the concepts of the land, people, culture and stories that inspire him, readying the project’s follow-up 20-track album, Eagle Feather, due on April 18, 2025 via Warner Music Nashville.

  In addition to selling over 100,000 headlining tickets in 2024, Munsick also opened on select dates of Lainey Wilson’s Country’s Cool Again Tour and supported Morgan Wallen on select dates of his record-setting One Night At A Time Tour. Munsick is currently headlining his spring Horses Are Faster Tour. He has been named an “Artist to Watch” by Spotify, CMT, Fender, MusicRow and most recently was named a Martin Showcase Artist. Standout duet “Long Live Cowgirls” (with Cody Johnson) off of White Buffalo hit No. 1 on SiriusXM’s The Highway Hot 30 Countdown, was named one of Amazon Music’s Best Country Songs of 2022 and recently received RIAA Gold-certification alongside “Long Haul” and “Horses Are Faster.” Fans of Ian Munsick will always find an open heart, natural awe and plainspoken honesty as he rides on… bringing the West to the rest. Online at IanMunsick.com.

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  Cure For Paranoia

  Formed in the heart of Dallas but born on the highway, Cure for Paranoia came together during a “doomsday road trip” intended to be their last. Having recently been diagnosed with bipolar paranoid schizophrenia, frontman Cameron McCloud found clarity in a hot-boxed rental car; making music with collaborators Jay Analog and Tomahawk Jonez gave him peace of mind. “He said, ‘this is my cure for paranoia.’ Instantly, everyone’s eyes lit up,” a pivotal realization that cemented the group’s moniker. When the predicted earth-shattering meteor failed to hit, inspiration struck instead. As Jonez recalls, “On the way from Amarillo to Colorado Springs, like eight songs got written.”

  Since then, Cure for Paranoia has shared bills with icons ranging from George Clinton & Parliament Funkadelic and Nas to Ludacris and Leon Bridges. Their resume includes stops at SXSW, Fortress Festival, and the NPR Tiny Desk Contest "On The Road" Tour, solidifying their status as festival favorites. While keen to distance themselves from standard regional production, they cultivated a signature "Trippy Soul infused hip hop" sound—a blend prioritized on their anchor project, the Work of A.R.T. EP.

• Jordan Dee Minnis
• Bri McBride
• Harrison Steele
• Injoy Fountain
• Josué Estrada Band
• Kimberly Paige
• Molly Neeley
• Neon Run
• Nuclear Football
• Sir Charles iii
• Sontia Soul
• Sunset Motel
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  Thorn Haze

  Maker of music.
• YANÉ FOX
• TUMBAO
• Charlie Wilks
• 

  Eclipse

  We are Eclipse from Stockholm, Sweden!